Salman Rushdie has always been concerned with giving a voice to the voiceless, by giving the power of description to the disenfranchised, the migrant, i.e. a personage who is often central in his narratives. This paper looks at three of Rushdie's most important works, Midnight's Children, Shame and The Satanic Verses, (which draw heavily on the theme of migration) not only by examining his life, but also through a critical analysis of his deliberate attempt to write in a particular yet distinct kind of manner and language; the themes of "double identity", "divided selves" and the "shadow figures" in the three novels by him.